![]() And there are reverbs that are designed for guitar and bass, but can be useful for other instruments too. I see a lot of vocal reverbs with smooth tails out there. Nonetheless, it’s still a good reverb even if you bypass the overdrive section. It’s certainly not your bread and butter reverb as it is more of a sound-sculpting tool for musical chaos. It’s a “good ‘verb gone bad”’ with a unique effect combination of reverb and distortion. Reverbs are best used in moderation, but some are geared especially for sound design. They’re powerful, have a rich sound and are oozing with distinctive character. The reverbs in this article are all algorithmic. But the truth to the matter is, there are just so many algorithmic reverbs out there available on the market that deserved to be reviewed and showcased. A lot of you might be surprised that there is a Part 3 of thies Reverb Roundup series. This month, for Part 3, we have another set of twelve excellent reverb plugins featured. Two months ago, we saw some high-end software reverbs in my Reverb Roundup Part 2 piece. We take a comparative look at twelve algorithmic reverbs, how and when to use them to best advantage for both sound design and mixing.
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